Mehr Zeit
Joss im Interview über die längere Episoden-Dauer und die wichtige Bemerkung, dass für Reruns trotzdem gecuttet werden muss:
One unforeseen consequence: Producers will need to deliver extra minutes in each episode for its initial broadcast, then cut those minutes for the episode's reruns, which would presumably carry more commercial interruptions.
"That's a good point," Whedon said when asked about it in New York last week at Fox's upfront presentation to advertisers. "They didn't bring up the repeats. But we have always had to cut out a couple of minutes for repeats. That's always been the way. I don't really deal with that that much. But they've also said, 'We want longer versions for the DVD.' So, ultimately, I tend to shoot long. Our shows tend to go long. Some come in short. It will happen. But generally they go long. So this just means a little less heartache in the editing room."
Ganz am Ende sagt er noch was zu Elizas Rolle als Produzentin:
Whedon added: "I said, 'Oh, wow, I've come up with a show, and I’ll do it with you, but you have to know, though, this thing about you having a producer credit; I'm going to make you earn it. I'm going to want your input. I'm going to want ideas. I'm going to want you to help me work out certain problems. This is our show.' She and I came at it from a very similar aesthetic view, a very similar political view and a great mutual trust. So, to me, it's an essential part of what the show says about people and about her, that she should be a producer."
...bevor der Artikel in ein merkwürdig weltfremdes "Dollhouse will premiere in August." entschwebt...
One unforeseen consequence: Producers will need to deliver extra minutes in each episode for its initial broadcast, then cut those minutes for the episode's reruns, which would presumably carry more commercial interruptions.
"That's a good point," Whedon said when asked about it in New York last week at Fox's upfront presentation to advertisers. "They didn't bring up the repeats. But we have always had to cut out a couple of minutes for repeats. That's always been the way. I don't really deal with that that much. But they've also said, 'We want longer versions for the DVD.' So, ultimately, I tend to shoot long. Our shows tend to go long. Some come in short. It will happen. But generally they go long. So this just means a little less heartache in the editing room."
Ganz am Ende sagt er noch was zu Elizas Rolle als Produzentin:
Whedon added: "I said, 'Oh, wow, I've come up with a show, and I’ll do it with you, but you have to know, though, this thing about you having a producer credit; I'm going to make you earn it. I'm going to want your input. I'm going to want ideas. I'm going to want you to help me work out certain problems. This is our show.' She and I came at it from a very similar aesthetic view, a very similar political view and a great mutual trust. So, to me, it's an essential part of what the show says about people and about her, that she should be a producer."
...bevor der Artikel in ein merkwürdig weltfremdes "Dollhouse will premiere in August." entschwebt...
wiesengrund - 23. Mai, 11:19
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